Properly Scandalous (Mina V. Esguerra)

Properly Scandalous dives right into the action, unlike its predecessor Young and Scambitious, which understandably takes its time to introduce the characters and their world. In Scandalous, we already know what Jane del Mundy and her gang are into. They're a group with a very specific skill set (unlike Liam Neeson's in Taken, at least, not yet anyway), with access to well-paying clients and gullible marks. This time, they're approached by Gabriel Grande with the challenge of getting money from a government official. Jane comes up with the perfect scam, one that may be easy for them to set up but hard to pull off -- especially when it means rekindling old sparks between her and Gabriel.

Properly Scandalous moves fast. It sets a brisk pace and urges you to keep up. It's fascinating to see a scam unfold before your eyes and it's definitely a credit to Ms Esguerra that she can write something as deliciously diabolical as these then turn around and write a sweet YA romance.

One detail that I enjoy about the books is Ms Esguerra's deliberate use of colorful surnames. Scandalous has a Polly Masmagiting and an Esperanza Mandawit, for example. They're not quite the familiar surnames that you'd associate with Manila's high society (or even those climbing the social ladder), but I find that they serve a two-fold purpose: 1) they bring levity to a scene; and 2) they certainly help disassociate the events of the book from real people.

Plus, it maintains a great cast of characters. Scandalous even fleshes out previously secondary characters like Alexander and Wendy (they were my favorites from the beginning, I dunno why). Jane and her group live in a world with so much artifice but I still find myself drawn to the people behind their masks. By the way, their gang deserves a monicker. I'm just out of ideas at the moment.

The Scambitious series is one of my favorite among Ms Esguerra's works. There's a sharpness here that I rarely see in Filipino chick lit, and I don't mean the bitchy kind. It glints with a different kind of polish and charm. The dialogue is snappy but it doesn't take itself seriously. It moves in different circles: parties and bars and high-end condos on one hand, trashy gossip blogs and forums on the other. These worlds are brought together with convincing realism, walking the thin line between these two highly exaggerated worlds.

NOTE: Properly Scandalous is available on Smashwords. Holler if you want a gift code to get it free. Also, that's my old friend and fashion blogger Alex Lapa on the cover. She is one of my long-time blog readers. ;)

What I've Been Reading

In the past few months, I've been blogging less about book reviews and more about local authors. It's a conscious decision, especially since I started publishing independently. To be honest, I have a lot of hesitations about what being an indie writer can mean to my book-blogging self. Can someone be both writer and critic -- especially someone who does not have the pedigree or the cajones to lay claim to either label yet?

While the choice might have been easy to some -- I grew up wanting to be a writer and not a book blogger anyway -- it still puts me in murky territory. I love discussing books. I like talking about the writing process. So please be patient with me while I still try to figure out what to do with my little space on the internet here. In the meantime, here are the books that I've managed to finish recently:

Welcome to Envy Park (Mina V. Esguerra) - A contemporary Filipino romance about Moira, who's back in Manila just biding her time before she heads off to another Asian country for her next job. I liked the tone and the dialogue in this one. Among Ms Esguerra's other heroines, I could also relate to Moira best. She speaks and thinks with candor and her voice felt very genuine. Her romance with Ethan was quite well-developed to me, so organic and natural and extremely kilig. Their interplay was engaging without being heavy-handed. Robbie and Dante are still my favorite male characters, but when couples are involved, Ethan and Moira appeal to me the most. I finished the paperback but I still went back to my ebook version just so I could mark my favorite lines and situations.

Love Story (Jennifer Echols) - This was my first Jennifer Echols book. Erin had a interesting poor-little-rich-girl story, and I thought the novel's writing class backdrop made it a bit more self-aware of the tropes that the story employs. Some comments from minor characters felt meta to me, which made me smile. One of my major reservations about it was that I don't understand how the class also seemed to be in the same residence hall (and they're all from different majors too), which I thought was pretty convenient.

Project 17 (Eliza Victoria) - I love reading science-fiction set in the Philippines. Ms Victoria crafts a world of high-stakes security and medical advancement against the backdrop of a futuristic Manila. Lillian is hired as the babysitter of Paul Dolores' brother Caleb, a smart and introverted man with schizoaffective disorder. Her job was supposed to be easy, but her curiosity lands her in a more than what she bargained for. Great tension and action, plus I thought the characters are very engaging. Finished this in one sitting.

The Manual of Detection (Jedediah Berry) - Part noir mystery, part dream. The narrative is expansive and many-layered, as it follows a clerk who has to step into the large (empty) shoes of the best detective in the agency. On one hand, it is the story of the clerk Unwin who, like his name, is far from being a force to reckon with. Bland and ordinary, he doesn't understand how he could be promoted to detective position vacated by the investigator for whom he clerks and attempts to find a way back to his old humdrum position. But there's more here than meets the eye. Add to his story the different mysteries that detective Silart has solved, which are also being told and re-told in bits and pieces. Chapter headings echo the headings of a manual that Unwin has received on his first day at the new job -- the so-called Manual of Detection. This was a really engrossing read.

Contemporary Quickies: Pinoy Romance Novellas

Filipino readers have never been really short on romance. The National Book Development Board (NBDB) 2012 Readership survey cites that 25% of their respondents read this genre (second only to the Bible). Bookstore shelves are overflowing with foreign and local titles. The country's biggest mass-paperback romance line dominates the market with a variety of series. Yuppies and millennials turn to Summit paperbacks for their own kind of kilig.

Add to that mix these new Filipino contemporary romance novellas. They're all published digitally and independently, making romances even more accessible to a larger market.

First is Katrina Ramos Atienza's Well Played, a re-telling of Jane Austen's Pride and Prejudice set in UP Los Baños. Los Baños is a town in Laguna, and is home to hot springs, science and research centers, and a university at the foot of mystical Mt Makiling. It's definitely a unique setting for a teen/NA read.

In the story, Patrice is a varsity football player who gets caught up in a little boarding house drama. Her best friend Dia is hitting it off with the campus hottie. Their younger friend Deenie is determined to break into social circles. To top it off, Patrice has to deal with winning soccer matches while matching wits with her cold and arrogant classmate Neil. I found myself matching the characters with their Pride and Prejudice counterparts (some were easier than others) and also familiarizing myself with some college/frat terms. I really appreciated the glossary because of it! All in all, it's a tightly-packed read for someone looking for more than the usual teen romance.

Next is Agay Llanera's Vintage Love. Crissy's beloved Mama Maring passes away, leaving Crissy to find new homes for her grand-aunt's fashionable clothes and other vintage finds. It's not easy to let go of something, especially since Crissy herself is still dealing with a failed long-term romance. Enter Vince, vintage shop owner and all-around nice guy, who manages to catches Crissy's eye.

Reading this book made me wish that the local contemporary romances I had read in my twenties were as sweet. Props to the author's writing style; I liked how urban the situations felt, yet still brimming with charm and sweetness. I didn't feel that it had to try too hard to be current. Crissy and Vince were both believable, complementing each other's personalities and really making the romance between them (and their conflict) highly probable. It has the most 'conventional' premise among these three novellas, but I thought it avoided the genre's pitfalls quite well.

Last but not the least is Chrissie Peria's All's Fair in Blog and War. Travel bloggers Five and Jesse are opposites, but that doesn't stop the Macau Tourism Board from matching them up as tour buddies during a familiarization trip to Macau. Sparks fly as soon as they meet, but the two of them gradually transition to something more.

Even though the author blogs about food and not travel IRL, she does an excellent job in turning the setting into an important element of the story. It makes a great backdrop for all the kilig moments that Five and Jesse find themselves in. The novella is also a perfect travel companion itself, a fast-paced and enjoyable story that you can read during a plane ride. Despite the foreign setting, it's peppered with lots of interesting Pinoy tidbits -- Pinoy naming conventions and the local blog culture, among others -- reminding the reader of where its heart truly lies.


All three books bring something different to the romance table. They each have their own flavor and strengths. One day, you might find yourself in a Cubao X vintage shopper mood; the next, you might feel some boarding house nostalgia. And even if you aren't a Filipino reader, you may find yourself interested on how we live and love on this side of the world! You won't regret trying these out. You can get your digital copies of these titles through Amazon and Smashwords -- just follow the links.


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It should also be noted that author Mina V. Esguerra is a vocal supporter of Filipino chick lit and self-publishing. In fact, both Ms Llanera and Ms Peria's novellas were products of Mina's online romance writing class (full disclosure: I took that class, too). So congratulations to the authors and to Ms Esguerra. It's truly an exciting time to be a Filipino romance author -- and reader.

Scribbled: revelations from #romanceclass (Part 02 of 02)

More things that I have learned from Mina's #romanceclass:

Revelation #5: Research is key. I checked the tide tables and lunar calendars so that everything was legit. (I'm an astronomy hobbyist, so things like this are interesting to me.) I didn't want anyone to say, "You know, if you're in Boracay in mid-March and there's a new moon, the tide would have risen too high for them to be walking along this particular stretch of Station 1 at 10 in the evening."

Even if I am Aklanon, I still tried to double-check my info. All the places mentioned in the novella are places that I had previously visited but I found myself asking a lot of questions. Has it changed since I was last there? I'm situating a particular event there; is that even possible? Research helped me clear up my assumptions and allowed me to remain within the realms of reason.

I realized that it wasn't about how accurate I was at replicating real life, but how I can make the story feel like a realistic experience for the reader.

Location, location, location! This made research fun. 

Revelation #6: It's challenging to make authorial intent and reader expectations meet. It was particularly challenging for me since I tried writing from a male perspective! My beta readers and editors are all different, which means they also have different views on how guys should act and behave. Their insights and observations had me questioning myself a number of times throughout the writing process. Believe me, even after the final chapter had been written, I still have the same questions. Never-ending fears!

So why did I persist in writing a male POV? I believe this particular story called for it. I don't think it would have worked if I had written from my LI's point-of-view, because I think that would have been a bigger challenge for me, so much that I was likelier to get her voice wrong than to get it right. I also didn't want to switch genders; I thought a guy would have been too unsympathetic in the LI's role. There was far too much power in that role (at least in my story) that making the role masculine would have tipped the balance. So it wasn't just a whim. I wanted to try telling this story, and this to me felt like the best way to do it.

Revelation #7: I got by with a little help from my friends--and not just from the writing group. A lot of this I wouldn't have done without my reluctant consultant Da Kyong, whom I met at just the right time.

I'm not in my twenties anymore, so I was pretty lucky that I spent part of the summer hanging out with fresh college graduates, most of them sociology and anthropology majors. They treated me like an ate, so in a way I felt that I was getting in touch with the sort of people my MC would befriend. I was able to visit several small collections and exhibits thanks to them; in fact, the Anding Torres collection in my novella is patterned after a collection inside a university library, one that I would not have had access to if it weren't for them.

Revelation #8: Writing is hard work, but it shouldn't be all about hard work. I'm glad that I still greatly enjoyed this whole process. It really tested and inspired me and I'm going to try applying what I learned to my still-unfinished mystery. So thank you again, Mina! No matter what happens to this one, I have really learned a lot. Someday I hope to see a novella of mine on a shelf next to yours.

Scribbled: revelations from #romanceclass (Part 01 of 02)

Early this year, I took an online #romanceclass under Mina V Esguerra. Her challenge for the class was pretty straightforward: write a contemporary romance novella in less than a year. But I wasn't sure how far I was going to go with it. At that time, I was already writing two separate stories. One was a cozy mystery; the other, a contemporary romance. Although the latter seemed to be a good fit for the requirements of the class, I wanted to experiment with a plot that had intrigued me before but never got around to writing.

Fast-forward to five months later.  I religiously attended the first couple of face-to-face meetings but when it became apparent that I wasn't going to finish my Act 1 on schedule, I skipped the rest. Good thing Mina reminded us that it was okay to continue the class; I started really buckling down to work with about a month left. Thanks to Mina's class, I realized so many things:

Revelation #1: I liked having so much time devoted to plotting. I've always done outlines.  But while my previous outlines were written in very general strokes, writing things down as class assignments made them seem set in stone. I tried to work out my plot and my character's motivations early on. That way, I had enough time to puzzle out (and solve) the loopholes and pacing dilemmas that would always plague me while writing.

My #romanceclass notes. I broke things down into chapters and decided

what each chapter's purpose was to the story. Look, muffins!

Revelation #2: Forced (daily) writing time worked for me. When the deadline was looming, I cut myself from the internet every 11PM so that I could have 1 hour and a half of uninterrupted writing. Then during my last week of writing, work eased a bit, and I could now keep my file open from mid-morning until late at night. I forced myself to finish before work deadlines came in. The result? I finished the novella in 27 days.

My friends and I used a chart to track our progress and it was very helpful for me to note how many words I had been writing each day and how close I was to finishing the novella. I would usually set different deadlines for myself. Once I noticed that my daily word count had an interesting pattern (today, 1k words; tomorrow, 1.5k words; the next day, back to 1k). It became almost like a game to make sure I met the night's output. (Sorry, I'm OC-OC that way.) Or I'd tell myself I'd finish certain scenes first (today, first fight; tomorrow, kilig). Whenever I felt my eyes drooping, I'd just push myself to just meet whatever personal goal I had set myself for the day.

Revelation #3: I like writing with friends. I felt that I wasn't in this alone. We cheered each other on. We brainstormed for solutions. When there were days that I felt depressed about my writing, all I needed to do to feel better was to see how far my friends' works have progressed.

Revelation #4: I didn't write straight. Sometimes I skipped around. It was my way of moving on when I was stuck. And because there was a plot outline to follow, I knew where to take my characters without losing the flow. Of course when I was tying things together, I had to re-read and double-check. But that was an easier task to me than forcing myself to finish a scene that I wasn't feeling.

It's hard to capture every little bit that I learned from class. Trust me, this isn't even half of it! I'll gather the rest of my thoughts and just post my other realizations soon.

[EDITED: Part two here.]

That Kind of Guy (Mina V. Esguerra)

Author Mina V. Esguerra is on a roll these days. Her previous self-published books Fairy Tale Fail, Love Your Frenemies, and Interim Goddess of Love have been released under Summit Publishing. She's just finished the sequel to Interim called Queen of the Clueless, currently available on Amazon. She's also giving out talks and workshops for budding writers. With her familiar characters and engaging writing style, it's no wonder that her books are getting new fans every day.

While some of her books have reached near local cult-favorite status, not too far behind is her solid offering, That Kind of Guy. I think Ms Esguerra does best when she works with older characters. They seem to me a little more well-rounded, a little more flawed, a little more realistic. That Kind of Guy follows playboy Anton (best friend of the lead character in No Strings Attached) and Julie, a self-admitted manang (though it literally means 'older sister,' it is used to refer to very conservative women). Julie thinks that a so-so first date was the last she'd see of Anton. But to her surprise, the charming and outgoing guy pursues her, even attending Christmas dawn masses for her. Despite their differences and her preconceived notions of him, it is easy to see how they made a connection. Ultimately it is Julie's ideas of how her manang self stacks up against Anton's past hook-ups, how she feels that she's treated differently than those other girls, that puts their relationship in jeopardy. In an almost masochistic exercise, she keeps a journal of Anton's past hook-ups as a way to reassure herself of her decision.

In Julie, Ms Esguerra fleshes out a different kind of manang. The term usually conjures images of the spinster schoolteacher sans makeup or the pious churchgoer in long skirts. Julie is none of those. Perhaps she has a manang's candor, opinionated and unafraid to let people know. She has her own kind of confidence. But if it hadn't been mentioned many times over in the book, manang would be one of the last things I'd associate with her. For me, a manang's uncompromising old-fashioned values extend towards most every aspect of her life. Clearly based on her actions in this book, Julie was far removed from my definition. But what's important to note that despite this, she still regards herself as a conservative woman. She feels that she is less adventurous or less sexually aggressive than the norm. It's a surprising revelation and one that makes me rework my own definitions of the term.

But that's what the novella is getting at. We are so hung up on labels that we tend to box everything else that way. Anton was a playboy, therefore he was expected to act this way. Or Julie was a manang, therefore she was expected to act differently. In his Course in General Linguistics, linguist and literary theorist Ferdinand de Saussure rejects the idea that a word corresponds to one set object and acts as a symbol for that object. For him, language is a sign-system that connects the signifier to the signified, from one idea to another concept. But a reader's interpretation of the word 'playboy' varies. Jacques Derrida came up with term differance to convey that the way meaning shifts between signifier and signified. The word has a field of meanings: "The written sign can break its 'real context' and can be read in a different context regardless of what its writer intended. Any chain of signs can be 'grafted' into a discourse in another context." As Julie discovers, her expectations of Anton fail her because she expects him to act in one set way. Language, as with human nature, shifts.

If I have a minor complaint about the whole book, it's that in No Strings Attached, I had a different impression of Julie's social life. She hung out with Dante and an intellectual, academic crowd. In That Kind of Guy, she's almost like a social wallflower whose real friends pre-Anton were barely mentioned. Maybe their absence helped reinforce the manang stereotype. Or maybe their inclusion would have been confusing in a short novella that is already full of secondary characters. I'll never know, but I missed them. (Fine, I missed Dante.)

That Kind of Guy also contrasts two different dating styles. Again we go back to the idea of labels: the bad guy and the good guy. The book plays along with reader expectations and then twists them at the end so we see what can be emulated in the 'bad' guy and what is flawed in the 'good' one. On two separate occasions, I found myself defending why Henry was the poorer choice of the two.

I read this so many months ago but I can still remember how hooked I had been. I was in a car running errands and I could not put this down. (And from the looks of this ultra-long review, I'm still quite hooked!) As much as I love Ms Esguerra's other books, ones like No Strings Attached and That Kind of Guy are the ones that draw me the most.

Checking in for the holidays (and with a lovely gift for you, too!)

The last half of the year had been very busy for me. I had to move back to Manila from my rather comfortable home in Aklan. It's not something to which I particularly looked forward, but it had to be done. The last half of 2012 was also filled with two funerals, a new job, a non-profit project, and a trip -- and before I knew it, it's just a day before the world is supposed to end. Sadly, it meant that I couldn't blog as often as I would like to. I'm hoping the next year would be different.

In lieu of reviews, here's (some of) my reading list in pictures:

Eliza Victoria's A Bottle of Storm Clouds. The story here, "Earthset," is one of my favorites.

I brought my copy to a spur-of-the-moment Boracay trip over one of the long weekends.

Finally got the Summit edition of Mina Esguerra's Fairy Tale Fail. Love this cover.

Speaking of Mina, she's generously shared discount coupons for you to enjoy this holiday season! You can get a dollar off her self-published digital books over at Smashwords when you enter the following codes:

Fairy Tale Fail
Code: VF92P

Love Your Frenemies
Code: CK34B

Interim Goddess of Love
Code: RY33Q

I love Smashwords; it's where I made my first e-book purchases when I still didn't have a reader for myself. More importantly, it's a lovely way to treat yourself this Christmas. You can even share it to your other Mina-loving friends as presents. Now isn't that a great gift? :) (Thank you very much, Mina!)

I hope this year has found you healthy and well, at peace with yourself and the decisions you've made. I hope you end the year with books on your shelves, hope in your heart, and love all around. Merry Christmas!

My Kind of Guy

Mina V. Esguerra, author of Pinoy chick lit titles such as My Imaginary Ex, Fairy Tale Fail, and No Strings Attached is coming out with her latest book, That Kind of Guy via Summit Publishing and she's hosting a giveaway on her blog. As part of her mailing list, I could have gotten a head start but after going all sentimental in my last post, it almost felt redundant -- but look! Isn't that what I'm doing now? *headdesk* Please bear with me. Still, I'd love to spread the news about Mina's latest book; her characters are always real and easy to relate to, and I'm sure this one won't be an exception.

So. Who's 'My Kind of Guy'? If you had asked me a few years ago, I would have come up with a rather exacting description. But having grown older (wiser?), I would just rather that he fit into the lines of an Alanis Morissette song:


You see everything
You see every part
You see all my light
And you love my dark
You dig everything
Of which I'm ashamed
There's not anything
To which you can't relate
And you're still here
I'm the kind of girl who has quirks and faults. He's the kind of guy who understands the kind of girl I am and what's important to me -- my family, my interests, my faith. And hey, if he's the kind of guy who will get me katsudon in the middle of the night or will take me places in a blue police box or can answer positively to the Dashboard Confessional question (do you like dreaming of things so impossible or only the practical or ever the wild or waiting through all your bad bad days just to end them with someone you care about?), then I won't have any other reason to complain.

Interim Goddess of Love (Mina Esguerra)

In her latest book, Mina Esguerra combines contemporary teen romance with hints of Philippine mythology to offer a satisfyingly-layered and unique read. Here, Hannah already has a job helping out at the Guidance Office but on top of that, the Sun God has also asked her to fill in for the Goddess of Love temporarily. Not exactly the easiest job for a sophomore on scholarship who's still trying to find her place at an expensive college. Interim Goddess of Love is the first book of a planned series, and aside from Hannah's struggles, it also features her first project: Kathy, a girl who claims to be 'invisible' but is getting lots of attention from a secret admirer.

Readers looking for a definitive introduction to Philippine mythology might want to look elsewhere, but for the casually curious, Interim Goddess of Love intersperses enough hints of Filipino gods and goddesses between Hannah's college life. As the IGoL, Hannah is privy to a number of romantic situations (and cute guys!). You get a good glimpse of the inhabitants of Ford River College from her perspective -- the mortals and the deities, the RKs (rich kids) and the SKs (scholarship kids). The author excels in capturing a certain slice of Filipino life that I think is alternately familiar and unique. The writing is smooth and the whole book is broken down into different situations that almost seem episodic to me.

What I admire most about Ms Esguerra's stories is that they create romantic moments without always resorting to Hollywood's Big Gesture but still have enough warm and fuzzy feelings to go around. I really loved how Kathy's love story was developed. The gifts she got from her secret admirer were swoon-worthy, the kind that will make a girl go, "Hey, this guy really gets me!" I also enjoyed reading about the divinities mentioned in the story. The pantheon of Filipino gods is huge and tends to vary from region to region, so a local reader like me had the added bonus of trying to remember which god was which. I also think that the book sets up the rest of the series quite well, and I look forward to seeing how Hannah's powers develop in time and if she'll find her own match in the game of love.

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Note: Real life recently demanded time away from my online one, especially with the huge Ati-Atihan festival annually held in our town. I hope I can slowly catch up with my long line of reviews to write. Please be patient with me!

No Strings Attached (Mina V. Esguerra)

Aspirational is a term that we loved to use when I was still in advertising (and by 'loved', I mean a mixture of sarcasm, amusement, and fondness). I don't even know if it's a legit word. "We want it to be aspirational," we were always told, whether we were making brochures for mid-rise condominiums or sale ads for a popular mall. Our team knew aspirational more than we knew the back of our hands, because let's face it, we were never asked to spend hours staring at the back of our hands.

But I've always believed that one place where that term belonged was in romance. Being aspirational is inherent in almost every love story. It's the anak-mayaman who falls in love with the household help; it's the romantic groveling scene that's tacked on at the end of every Hollywood rom-com. It's the reason I read chick lit -- the strange suspension of disbelief that yes, a finance lawyer can also be a domesticated goddess, that yes, a size-14 has-been pop star can find love with a hot private eye. Without that aspirational hoopla, we'd be reading a totally different genre. For me, a good romance would be the one that makes me feel happy with the life I'm living, but tells me that I can still indulge in the life I could almost have.

That's what I felt with Mina Esguerra's No Strings Attached. It's the third of her books that I've read and no matter how much I've gushed over the other ones, this has become my favorite. In this story, twenty-nine year old Carla deals with being the youngest and only unmarried single female in her barkada. But just before she turns 30, she meets impulsive, independent Dante -- boss' son, college prof, cool older brother, and five years younger than her. (I think that if my friends are reading this entry, they'd be laughing right now.)

What makes the story work is that despite what I would call the 'aspirational' stuff (by her own admission, Carla has become 'exponentially more attractive (p9),' having 'learned the importance of correct clothing sizes and flattering haircuts (p9)'), it still feels very grounded to me. I thought Carla's reaction to Dante is very real. She doesn't want to rock the boat when this new guy comes into her life. She has her hesitations but she weighs her options and decides to just go with the flow. I like how elements like this make a chick lit heroine much more accessible to the reader. What's more, Ms Esguerra easily shows us how a guy like Dante can be compelling enough to sweep Carla off her feet. Dante is so unlike the typical guy I would fawn over in a romance novel, but he is given such maturity and charisma that I found myself squeeing over the simple things: the way he made sure Carla would see him again, the way he texted her, the way he was when they were with his friends. His and Carla's relationship is drama-lite (not exactly the drama-free one they wanted) and that just makes it all the more believable to me.

In the end, No Strings Attached is not just about getting the guy. It's about making a relationship work so that he stays gotten. There's a studied air in the way this whirlwind romance is written: a great balance between what a woman could aspire for and what she knows she can keep.